- Details
- Written by: Edvardsen
- Hits: 64

In the quiet, cold hours of night, with the light of dawn still a world away, she stares out across the water. She's been drawn here again and again, compelled to rise from her bed and wander through the dew-damp grass to the banks of this river that she can never seem to find once the sun has risen. And again she sees him. An indistinct shape flickering into being, out there on the sluggish current. A boatman, pole in hand and eyes aflame, shimmering on the edge of reality - a shadow, a memory, a dream. Each night drawing closer to the shore…
The birth of an album is not a simple process. From the first imaginings of the first song, through the process of shared ideas and rough musical sketches, the original demos and rehearsals, to that final product of all the blood, sweat and tears that emerges into the world…it's a long journey with many a moment of despair and doubt along the way. Some of those raw, bloody incarnations that are eventually cast aside leave ghosts behind them, spirits that never quite fade from the minds of their creators.
They are the paths not followed, the Titans overthrown by their Olympian children - cast into the deeps of Tartarus, far from the light - the whispers in the night that will not be silenced. When The Medea Project released their second full length album, Kharon, in June of last year, it left many such wraiths in its wake, trapped in purgatorial half-life. The brutal, cavernous sounds of the early demos, rehearsals and writing sessions refused to die, haunting the band, screaming in frustrated rage as the Live At Dingwalls album and the Akkadian Artefacts EP were made flesh. Now, The Medea Project have submitted to the will of these hungry revenants. They have been given life and will never return to their tombs. Kharon: Forbearance walks among us…
Nightmarish, distorted, oppressive and suffocating, 'Absence' plunges the listener straight into the chaos of this raw, unforgiving maelstrom - a voice calling through the vortex from the other side of midnight. Kharon: Forbearance is not pretty or refined; from 'The Cave Song's echoing chamber of secrets to the imperious power of 'The End', a war machine swathed in obscuring shadows, these abandoned children writhe in the primal power that lurks in the dark heart of The Medea Project. They are the boiling, incandescent emotions that seethe amongst the foundations of the songs they came to be, exposed to the light. They are the stained bones upon which the legacy of Kharon was built. Be it the immediacy of grief that informs 'Purgatory Trapped', the rampant passion of 'Stygian Surf', the grimy doom of 'Tartarus Waltz' or the burning intensity of 'Dying Sun', these dark incarnations demand to be heard.

Track Listing:
01 - Absence
02 - The Cave Song
03 - Purgatory Trapped
04 - Stygian Surf
05 - Tartarus Waltz
06 - The End
07 - Dying Sun
Kharon: Forbearance will be released by BDB Studios on limited edition CD and digital formats, complete with a dark and distressed reworking of Daniele Serra (Stephen King, Clive Barker, Shining etc)'s stunning Kharon artwork, on September 7th. For those who want to venture deeper into the darkness, the doorway is open…
For Fans Of: Celtic Frost | Tiamat | Darkthrone
ONLINE
LINEUP
Brett Minnie - Guitars/Vocals
Pauline Silver - Drums & Percussion
BIOGRAPHY/LOGO

Formed in Johannesburg, South Africa, in 2003, The Medea Project emerged from a shared passion for heavy, emotionally charged music that fused the crushing weight of doom metal with the atmosphere of gothic and sludge influences. Rather than chasing trends, the band developed a sound rooted in slow-burning riffs, haunting melodies and introspective lyricism, gradually establishing themselves as one of the more distinctive acts to emerge from the South African underground.
After years of refining their identity through live performances and songwriting, the band relocated to Nottingham, England, opening the door to a broader audience and a more active presence within the European underground metal scene. Their self-titled debut EP, released in 2017, introduced listeners to their bleak yet melodic approach, balancing oppressive heaviness with moments of fragile beauty.
The band's first full-length album, Sisyphus (2020), expanded upon that foundation with more ambitious compositions inspired by mythology, existential themes and the human condition. Dense guitar work, melancholic atmospheres and dynamic arrangements became defining characteristics of their sound, earning praise from fans of doom, death/doom and gothic metal alike.
During the global lockdown period, the band maintained momentum with the live release Southern Echoes (2021), followed by the EP Reflections (2023), which showcased continued growth in both songwriting and production. Their sophomore album, Kharon (2025), marked another significant step forward, delivering darker, more cinematic material inspired by ancient mythology and the journey between life and death. The album further cemented The Medea Project's reputation for crafting emotionally immersive and sonically powerful music.
In 2026, the band continued their creative output with the live album Live at Dingwalls and the EP Akkadian Artefacts, demonstrating both their strength as a live act and their willingness to explore new conceptual territory.
Today, The Medea Project stand as a unique voice within the modern doom metal landscape. Combining elements of doom, sludge, gothic metal and death/doom, they have built a catalogue defined by massive riffs, atmospheric depth and thought-provoking themes. Their music is equally crushing and contemplative, drawing listeners into a world where mythology, philosophy and human emotion converge in a dark and immersive sonic experience.
DISCOGRAPHY
The Medea Project (EP, 2017)
Sisyphus (2020)
Southern Echoes (EP, 2021)
Reflections (EP, 2023)
Kharon (2025)
Live at Dingwalls (EP, 2026)
Akkadian Artefacts (EP, 2026)
Kharon: Forbearance (2026)
GENRE/COUNTRY
Doom Metal/Gothic Metal/Sludge Metal
South Africa


